Caress Of Steel is the third studio album by Canadian rock band Rush, released in 1975. The album shows more of Rush's adherence to hard progressive rock, as opposed to the blues-based hard rock style of the band's first album.
Although Rush's previous album, Fly by Night, dabbled in longer conceptual pieces such as "By-Tor & the Snow Dog," such works were the central focus of Caress of Steel. Long pieces broken up into various sections and long solo passages are two prominent elements of the album. It includes the band's first two epic pieces, "The Necromancer", and "The Fountain of Lamneth", which were also blamed for the commercial failure of the album itself; the latter runs 20 minutes total and comprises the entire second side of the original vinyl release.
The album cover for Caress of Steel was intended to be printed in a silver colour to give it a "steel" appearance. A printing error resulted in giving the album cover a copper colour. The error was not corrected on subsequent printings of the album.
Geddy Lee admitted in the 2010 documentary film Rush: Beyond the Lighted Stage that he thought bandmates Alex Lifeson, Neil Peart and he were "pretty high" during the making of Caress of Steel.
Some cassette printings of the album altered its intended track listing, specifically switching the "Didacts and Narpets" movement of "The Fountain of Lamneth" with "I Think I'm Going Bald" (possibly because of cassette tape length and to balance out both sides). In addition, the other movements of "The Fountain of Lamneth" are listed as separate songs.
Caress of Steel did not attain gold certification in the United States until December 1993, nearly two decades after its release. It remains one of the few Rush albums to not go platinum in the U.S.[7]Although the band initially had high hopes for Caress of Steel, it sold fewer copies than Fly by Night and was considered a disappointment by the record company. The album eventually became known as one of Rush's most obscure and overlooked recordings, consequently being considered underrated by fans.
Due to poor sales, low concert attendance and overall media indifference, the 1975-76 tour supporting Caress of Steel became known by the band as the "Down the Tubes" tour. Given that and record company pressure to record more accessible, radio-friendly material similar to their first album – something Lee, Lifeson and Peart were unwilling to do – the trio feared that the end of the group was near.
Ignoring their record label's advice and vowing to "fight or fall," the group's next album, 2112, ultimately paved the way for lasting commercial success despite opening with a 20-and-a-half-minute conceptual title track.
