Friday, September 14, 2018

Listen to the Marcus King Band's Newest Single "Where I'm Headed" (jambands.com)




The Marcus King Band just shared their new track “Where I’m Headed” with Billboard, with the bandleader describing their impending release Carolina Confessions as a shift toward “songwriting and the structure of the tune itself.”

Read more @jambands.com: http://www.jambands.com/news/2018/09/07/listen-to-the-marcus-king-band-s-newest-single-where-i-m-headed/#ixzz5QW2dI1WJ

Thursday, September 13, 2018

Billy Idol to Get Remixed Again on 'Vital Idol: Revitalized' (UCR)




Billy Idol's mid-'80s album Vital Idol was a rarity in the rock world: a collection of dance floor-friendly remixes.
Now he's revisiting the concept with Vital Idol: Revitalized, which is coming out on Sept. 28.

Wednesday, September 12, 2018

Tuesday, September 11, 2018

Sunday, September 9, 2018

On the turntable this Sunday...Middle Man



Middle Man is an album by Boz Scaggs that was released by Columbia Records in 1980. Scaggs hired members of the band Toto as session musicians and shared songwriting credits with them, returning to the commercial, soul-influenced rock of Silk Degrees (1976).
The album reached No. 8 in the Billboard 200 album chart, and two singles reached the Billboard Hot 100: "Breakdown Dead Ahead" at No. 15 and "Jojo" at No. 17.
Writing for Smash Hits in 1980, David Hepworth described Middle Man as an "impeccably tasteful collection of sophisticated white soul" that was "useful as background music in the more sedate kind of nite spot". Acknowledging that the album was "well done", Hepworth noted that Scaggs' previous albums were "thrilling as well as perfectly formed". Hepworth went on to say that the album sounded as though "they designed the sleeve first and then made the record to go in it".[4]
Allmusic's retrospective review commented that the album "caps off the decade with equal nods to [Scaggs's] '70s hitmaking formulas and the newer, shinier production techniques of the coming decade." They made a point of noting the album's repeated imitation of then-popular fads, while at the same time opining that these imitations were successful.